This page is under construction. Please excuse the dead links.
Hommage a Daniel Buren
1989, Single Channel Video, 3'25". Filmed in Paris, it's a remake of a video made by Daniel Buren in the same city in the Seventies.
Puit d'amour
1993, Single Channel Video, 2'10". This video anticipates in style the others from 1999 onwards, whereby the camera stands still while very minimal things happen within the "canvas" of the screen.
The Day Nelson Mandela took the Northern Line to Camden Town
1993, Single Channel Video, 2'10".
The future President of South Africa is followed by a hidden camera for a short journey in the London Underground Station.
Il Topo (The Mouse)
1994, Single Channel Video, 4'46".
Hope
1996. Single channel video, 5'35". Hope consists of a loop of still images of aeroplanes
and other flying objects, accompanied by the homonymous ambient track especially
composed by Richard Warburton for the video. The aeroplane is the fastest
means of human travel and can be seen as both a positive and negative development
for the future. "It certainly makes you think when in a place like London
it's easier to encounter a plane than a bird" (SP).
I don't care
1998, Single Channel Video, 1'47".
Roadrash
1999, Video, 5'33". Starting from the popular videogame, Roadrash shows you a mixture of virtual and real images in a trip between the London traffic and a digital environment.
The Sweetest thing
1999, Single channel video, 3'25".
Oh, My Love
1999, Single channel video, 3'20".
Pretty Girl
1999, Single channel video, 2'08".
This video takes as a reference the project for the mural Pretty Boy and was exhibited in the Miss N installation.
Apathy, Gluttony, Apathy and Glorification
2000, Single Channel Video, 6'00".
Specifically made with Michael Dvorkin for an open call video night at Artists Space.
Gary Hill a Casalecchio only has one videocamera
2000, Single Channel Video, 4'50".
A tribute video to Gary Hill with reference to three of his works and the soundtrack of "Video Killed the Radio Star".
Slow and Low
2000, Single Channel Video, 4'13".
Blowin' in the wind
2001, Single Channel Video, 3'28".
A peaceful representation of New York street cleaners.
Mustapha
2001, Single Channel Video, 3'18".
A beautiful song by Queen becomes the excuse to show what's been going wrong in the world in the last few years.
Les Cactus
2002, Single Channel Video, 3'24".
Since a new media tycoon is the prime minister of Italy one has to be careful of his/her words, as things can get spikey.
Fallin'
2002, Single Channel Video, 3'40".
Environmental Wanderer becomes a video in front of the missing World Trade Center with the apt soundtrack of Alicia Keys.
The Sound of Silence
2002, Single Channel Video, 3'40".
The allegedly Red Brigadist Toni Negri gives a silent lecture with the soundtrack of "The Sound of silence".
Don't Need the Sunshine 2
2002, Single Channel Video, 5'20".
Filmed in Baghdad, a metaphor of Iraq as a fish cut in half, yet still alive.
Distant shore
2002, Single Channel Video, 2'58".
Unfound Objects (mostly good for a sculpture)
2002, Single Channel Video, 3'28".
Blue Moon
2002, Single Channel Video, 4'22".
Questionnaire
Performance for Undo.net. Curated by Daniela Lotta, Milan, April 12th, 2003.
Suindicato
2003, Single Channel Video, 1'03".
Quantita' - Fiducia
2003, Single Channel Video, 5'01". Quantità Fiducia is a 5' video that holds a certain similarity with todays music video clips, with the difference that there is no element of narration in the story, nor any particular subject matter in what seems to be a growing mess of flashing clips of artworks following each other in a syncopated way. A Eurotrash French song keeps repeating c'est trop tard (it's too late) while scattered imagery of artworks keeps filling the screen, together with a rolling sign of statistical data analyzing and numbering justabout everything. The video aims to reflect at what's happening to contemporary culture today, where its amount is so vast that it overwhelms any notion of quality, therefore quality (or what we think of quality) is replaced by trust in someone else's judgment.
Girl
2003, Single Channel Video, 4'59". Soundtrack by Glenn Hunter Brown.
Too much food
Single Channel DVD, Stereo, 3'34".
2004
These videos are the documentation of the 578 artworks that Stefano Pasquini made for Project 2004, and they were shown in Shangai on April 24th, 2008, as part of "Intrude: Art & Life 366" curated by Shen Qibin and Zendai Museum of Modern Art,Shanghai, China. Each video shows the artworks for the month.
Qui
2004, Single channel video, 3'06". Soundtrack by Dr. Josh Gura PHd.
Chanson pour Yumi
2004, Single channel video, 2'55". Lo Còr de la Plana sings a song for Yumi.
Bisogna lavorare
2004, Single channel video, 5'09". A commissioned video about working and jobs, with a citation from Fellini's Amarcord.
Videos without a camera
2004, Single channel video, 4'13".
Telediscount
2005, Single Channel Video, 25'25". Telediscount is a fake TV programme to present Stefano Pasquini as one of the three most important Italian artists of the XX Century, together with Giacomo Manzù and Mario Schifano. Click here to view the 6' shortened version, edited by Mario Gorni of C/O CareOf.
A crisis has no kidneys
2007, DVD video, 4'01".
The Wittgenstein theory of the installation above is taken one step further in this video, composed of a series of Lomo shots and a sountrack specifically studied for the piece. The video is part of the travelling exhibition Videoart Yearbook 2007.
One day laughin in this surreal earth (UV0801)
2008, Single Channel Video, 26'42".
UA0805 (Ta-Pum)
Performance at the Museum of Modern Art (MAMbo) during Emilio Fantin's Performance Day, Bologna, October 4th, 2008.
UV0901 (Help)
2009, Single Channel Video, 22".
UA0901 (Marina)
2009, Action // Video, 2'41".
UV1001 (The Best Art is not Art)
2010, Single Channel Video, 6' 43".
UV1003 (Acceptance)
2010, Single Channel Video, 49' 59".
Stefano Pasquini's videos are broadcast with Flowplayer, the free video player.